An art historian specializing in 18th-century European art, with a particular focus on Sèvres porcelain and its role in court culture. Her research combines aesthetic analysis with reflection on the political and social functions of art, including mechanisms of prestige, memory, and representation. She is currently pursuing a Master’s degree in Fine and Decorative Arts & Design at the prestigious Sotheby’s Institute of Art, where she continues her research on 18th-century French material culture and studies art law. She previously graduated in Arts Management at Goldsmiths, University of London, specializing in art law and museum studies. Her curatorial and research experience includes positions at Royal Museums Greenwich, The British Museum, and Two Temple Place.
Wiktoria Krüger-Dębicka
